Tuesday, 11 December 2018

Live brief - Underground Empire

I was approached by the band Underground Empire to complete a piece of album artwork for the release of their new song called Freak Show. 

I made a finalised design and as part of my professional engagement and networking I uploaded it to the closed group The designers League to get some feedback from designers who do not know me as a designer. this allows for much more honest opinions on a piece of design rather than relying on feedback solely from peers. 

Development 1 



Feedback
- the collaging needed some more depth so that it stood out against the flat placement of the type
- apply a drop shadow around the borders of the cut up layers 
- develop a custom/manipulated typeface to communicate more about the song than this current typeface 




Manipulated typeface and experimentation



Final outcome





Friday, 9 November 2018

Get to the Point

Learning Outcomes: 6A2 and 6D2

This session allowed us to partake in a number of idea generation tasks based on our own anxieties and questions surrounding our own creative progression as we look beyond graduation. The session began by us writing anything that came to mind in regards to this topic on post-it notes and then putting them out of sight. This allowed us to initially 'brain dump' all initial thoughts. After we focused on our main concern - mine was about finding the right studio for me, one I enjoyed and felt challenged within. It also then covered my concerns about travelling to enhance my creative practice, moving to London and a few others related topics. We then moved around the table and continued to expand on other peoples concerns, offering our similar thoughts or ways in which they can feel better about a particular concern. 

As a group, we concentrated on the common issue of 'how to be confident enough in your work to get into the studio that fits you'. We all researched different aspects in relation to this concern such as tailoring your work to a specific studio and only including the work that you are passionate about. This then allowed us to think about how we could make this knowledge accessible to others and we decided that it could be most useful to publish some information about it on platforms such as Its Nice That or NEST. The user would be able to select the options relevant to come up with solutions on what to include in your portfolio and how to structure the cover letter. 

We had to describe our research/concept in the form of a tweet and then translate this into a set of emojis - 'a portfolio is like sending a nude, only pick your best ones and be selective with who sees it'.

Overall, this session was helpful as I realised that others were also having the same concerns as me and now we have researched as a group on ways to enhance your portfolio for each design studio, I feel more confident overall. 



PPP - Briefing

(Split into 4 sections)
Money
Networking 
Being a professional 
Self-promotion

Intern
  • The Ladder podcast is being released soon
Brief 1: Personal Branding/Promotion
  • Tell the world what you do and everything about you as a creative
  • Post all relevant things on bog with learning outcomes at the top that link to what you are about to write about 
Brief 2: Design Strategy 
  • Every interaction you have with the professional sphere that helps to progress or establish your career 
Tasks
  • Build a website 
  • Get online press
  • Send real mail
Getting the right design studio for you 

  • Make a blog to show your passions within the creative world
  • Show genuine interest in the studio you are contacting, make the email/letter of interest personal
  • Make sure you contact the right person in the team, especially in big agencies 
  • You have to love all of your portfolio, no fillers

Sunday, 20 May 2018

Creative strategy: Evaluation

The presentation was a positive experience and despite feeling anxious I felt as though I was able to talk about the different points I had planned to in what seemed to be a confident manner. The timing of the presentation was accurately 10 minutes which was due to the planning of each little section of the presentation, but if to repeat the presentation I would spend a little more time discussing the creative report and what advice I received from it. I started the presentation by explaining about who I am as a creative and that as a designer I am someone who likes to travel, explore new places and interact with people as a way to get the most out of my creativity. This then became the basis of the presentation and acted as a the content for the journey I explained. I was able to talk about the different ways in which these particular parts of me as a creative had been met. The collaborations, community work, creative report, work experience and then my progression and interest in motion as a way to more succinctly communicate ideas all further confirmed this style of personal creativity. A point to improve on would be the inclusion of a bit of a conclusion in terms of how the journey has worked out as it was obvious to those who picked up on it, but for those who did not it would have been a nice way to end the presentation. One of the questions that was asked at the end of the presentation was about why the particular design agency was contacted for an internship. I hadn't instantly linked the two aspects together, but then I realised without even meaning to that it was the communication aspect within the studio that had drawn me to want to go back and work there. Honey as a design studio work on the basis that each person within the studio works on the same project each with their own jobs and then at the end of the day no one leaves before everyone has finished. I thought that this was a really nice atmosphere and it is this communication that as my presentation has pointed out, I see to be a positive. 

Creative Report: Outcome design

Visual literacy 






Initial ideas


I started the process by thinking about the different ways I could present the findings from the creative report. I tried to take into consideration the different formats that are of relevance to those being interviewed so that the publication would be more interesting. 

Podcast - I thought it would be interesting to try to podcast some of the findings from the interview as this is a format that the creatives often use. I would have to create a script that I could read out in an interesting and engaging way. Podcasts are known more to be based on a conversation between 1 or more people, so as the feedback is written this idea could be developed to be a moving video that could potentially be spoken over a moving animation style video presenting the findings. This would be relevant to me as I am looking at the power of motion for my dissertation in Level 6. 

Blog post - As the creative report is based on creative blogging alongside Graphic Design and how it can enhance someones practice, a blog post seemed to be an appropriate format to publish the findings on. Without an established blog of my own this would not effectively reach a large number of people so I decided against this idea but thought that design wise this could feed into the presentation of the final publication. 

Newspaper - This would be an interesting format to present the findings in because it is a well known format for things such as interviews. The layout would take on that of a newspaper, bold headings, columned text and images. As the creative report needs to be around 500 words, this isn't long enough for a full newspaper, maybe only one article. 

Zine - This is a good format for easily presenting information about a specific thing as it is easy to print and can be distributed to a large number of people. In terms of design style I could either design it to suit my own personal branding, or respond to the content of the zine. I think it would be effect to combine both of them and create something that it obviously crated by me, but also suggestive of the kind of content that will be included. 

Development
I started by experimenting with a very large heading on each left hand side page, the use of a quote and then a paragraph of text from each of the interviewees. This worked well, but in terms of user engagement it was decided that rewriting the responses for each of the sections into one flowing paragraph and then including quotes and references to the designers would work better as a final publication on this topic. 



The full colour background was experimented with as a way of incorporating hjrdesigns personal branding very obviously, but this seemed to be a little overpowering when images were then added on the pages as well. The sizing of the title was another element that needed to be considered as it needs to stand out because it gave an overview of exactly what was being discussed in the section, but consistency throughout the whole zine needed to be established. Consistency is important but with it being this bold it became to predictable and boring as there was not much room for experimenting with the placement of the different pieces of text. 

To overcome this design problem the background of the zine was left white and the colours were used for the text. The typeface Avenir was used for it all originally as this is the one used for hjrdesigns branding. 








The development process then lead to the idea of designing it to appear like a blog post, which would be contextually relevant. Taking inspiration from Medium as this is the blogging platform that I use and the creatives also recommended I found a typeface similar to that used for the heading. The zine was then designed to be landscape but long-edge bound so that the width and length of a blogging platform was taken into consideration. 

A similar typeface was found using Adobe Typekit:

Titles: Mr Eaves XL Serif Nar OT 35pt
Quotes: Mr Eaves XL Serif Nar OT 30pt
Body: Avenir Light 12pt





The design started by taking on the same format to ensure consistency, but once a visual style had been developed throughout it became more interesting to be a little experimental with the placement of the all of the elements on each of the pages. It is important to ensure that consistency is achieved but variation makes it more interesting to rad and for the reader to engage with. The central area for text worked well to ensure that all text took on the same visual appearance no matter what point on the page it was placed. The placement of the elements was based on the composition and harmony between everything else, ensuring that there was even spacing between it all to avid a top heavy or bottom heavy layout.  




The profiles section of the zine is at the beginning but as it has a completely different type of text that is needing to be displayed it was hard to find a way to present it consistently with the rest of the design. The title was kept to the top and then each of the descriptions of the creatives were presented in the same font used throughout and then to the same width. Keeping it all central very simply presented a quick overview of those who are in the interviews whilst also sticking with the same design style. 

Initially the zine was designed so that each section had one colour, but once all elements had been placed colour experiments lead to the decision that the mixture of colours on a page made it look less 'washed out' and the different elements stood out against each other and complimented each other. 





The final pages are minimal and have a lot of white space, based in the design of the Medium blog website. The white space is in replacement of adverts but it could act as a good space for those reading the guide to jot down some of their thoughts and responses to what is being said on the page. This proactive engagement just once again references the content and how it is then the act of being proactive that sets you apart from others and will ensure that you go far in the Graphic Design industry. 


Production
The software used to design this zine was Adobe Indesign because it allowed for the layout to be accurately set up ready to print. The 2 up-saddle stitch meant that the pages needed to be paginated to groups of 4 so that the double sided printing would work and the pages would fall into the right place.  

The plan was to print this down in the digital printing room, but unfortunately there was no availability for a lot anytime close to the deadline. This means that I had to print it myself in the printers in uni. A zine is a publication that is meant to be printed on a standard stock to ensure that costs are low and distribution can be high. I had some trouble setting up the printer to print the booklet exactly how I needed it to be so that it could be bound. 





As I was having to print it myself I did a couple of test runs so that I could get all of the setting correct. Initially I printed it out in the booklet format but without it being double sided and then I printed it short-edge binding which was not what I needed. Once I had printed out a copy I the main check that I undertook was ensuring that the images that went across the spine aligned correctly. It all was ok so I could then print the final thing. 

The final zine size is just below A5 once folded which works well in terms of user engagement.



The binding method chosen is pamphlet stitch because it will add a personal touch, representing the advice within. I think this will look better than stapling and the thread can match one of the colours within the zine. This will allow for the zine to be opened flat which is important because a lot of elements are printed across the spine. 

(To understand the ISSUU upload correctly tilt the screen)


Creative report: Evaluation

Overall, the creative report has been a good opportunity to start to build relationships with other creatives at different points in their careers. The advice hared has been appreciated and has helped me to start blogging on the platform of Medium. The invaluable advice about what to do whilst still at University has motivated me to ensure that I am doing these things and that I take as much as I can from the 1 month internship I have over summer and use this to develop my creative practice. 

The final zine was printed using a laser printer as it is a publication that would be printed at a low cost with the insurance of an increased distribution. The zine is bound by a pamphlet stitch with a colour thread that matches that of the main title of the zine. The thread is a thin sewing thread which looks effective but in terms of endurance it will be doubled over to prevent snapping. The final page designs are minimal and have a lot of white space, based in the design of the Medium blog website. The white space is in replacement of adverts but it could act as a good space for those reading the guide to jot down some of their thoughts and responses to what is being said on the page. This proactive engagement just once again references the content and how it is then the act of being proactive that sets you apart from others and will ensure that you go far in the Graphic Design industry.

A revisit to this brief would potentially lead to a change in content structure and amount. It would be useful to maybe present the information in the condensed format but then also include each of the full interviews with each of the creatives at the end of the publication. The condensed versions of advice are subjective as to what is believed to be the most important and by presenting the full interviews, the audience is able to determine which pieces of advice they personally find useful. 

Group day brief: Waybound

For this group day brief we looked at the movie set that would be used for an American Motel in a comedy movie where they need to stay the night on the highway. The research looked at the branding and overall visual identity of existing motels and then we adapted it to make our own idea. The video for this project was also created as a bit of an advert to show just how 'bad' the motel was as they are never luxury when used in movies. We tried to approach this in a comedic way which was successful when we pitched the idea. 






Collaboration: Bali

In more detail on my Studio Practice blog: http://h-rice1619-sp.blogspot.co.uk/2018/03/collaboration-photo-book-production.html

As part of the OUGD503 module I started a collaboration with Kristina Sergeeva as I approached her about a brief she published based on Bali and the hidden truths for women. 
As we met and discussed the project it became apparent that as a photographic journalist she should focus more on the current issues and with that in mind the project focus was changed to focus on the impact that the natural environemnt had had on the locals of Bali and how they are now having to rebuild their own communities are the earthquake. 

The final outcomes needed to be in the format of a zine and a photobook. The final publications handed in for my module deadline have since been developed as we have worked together a lot more since and made a lot of mock ups looking at ways it could be developed even further. 

Concept
An investigation into the way human beings, in light of all of the difficulties brought by the environment, employ creativity to solve their problems, one day at a time.

Rationale
A photo book and informative zine designed to respond to the environmental impact of the volcanic eruption within Bali, concentrating on the isolation and inequality of the women. The driving concept behind the photography and design choices is based on how human being's in light of all the difficulties brought by the environment, employ their creativity to solve problems. One day at a time. In the most basic ways, using their skills of weaving baskets to overcome the difficulty their environment has brought them.

DEVELOPMENT 1
DEVELOPMENT 2
We then decide for the zine to move away from the coloured pages of quotes because this did not reflect the photo book in the way we intended. This problem was overcome by creating a zine in a more traditional manner and with more consistency in comparison to the photobook. During this process we printed off many prototypes to try and establish which parts were/were not working. 




Final Zine




Final photobook



What I have learnt:

  • set very strict deadlines
  • research production methods before finalising the design
  • production at this point as creatives is very restrictive when a large number is not being ordered
  • two creative minds works very well
  • need to stick to our own roles more
  • hard to work with a photographer because they know how they want their work to be presented and find it hard to change this based on my opinions
  • but it did open my mind to new ways of thinking in terms of layout and presentation of images to their best format
  • proffessional printing places are expensive
  • I need to learn more about production 
  • I want to work on publication design over summer

Collaboration: MMBG

Modern Muslim British Girl (MMBG)

As part of my design practice I enjoy collaboration as it allows me to work with new creatives and content I approached Kristina originally to work on a Bali project with her and then from then on we have continued the work as a collaborative on a number of other projects. 

Modern Muslim British Girl is the representation of Muslim women and the stereotypical image of the ‘Modern British Muslim girl’ and their daily lives. The project aims to help Muslim women get their voices out there and gives them a chance to tell their story, rather than it being told for them. We have decided to approach this project with the aim of having a zine as the final outcome because the girls are of a trendy age so this could be shown but also it is an issue that is fairly unheard of so a zine can be distributed much quicker. 

I have enjoyed the process of collaboration because it has allowed me to think in depth about a new topic that I have not before considered. It has been interesting learning about the girls involved in the project and it is now something that I have become interested in raising awareness for. I enjoyed working with photographer Kristina as it allowed for both of our skills to be put together and develop something that maybe alone might not have been possible. I have learnt though that two creative minds can often have slightly different opinions when it comes to concepts and the reasoning behind the design choices. Overall the collaboration was successful and this was due to our friendship that we built and strong use of communication. We relied on a google drive to upload everything we considered individually so that consistency could be maintained and to ensure that we were both thinking along the same lines. 

This is the design process in short:

The design idea was originally designed in black and white so that the layouts and visual style could be developed. The colour palette was then developed with the intention of creating something that was vibrant, on trend and held no link to potential race representation. The colour combination of black and white was avoided so that conceptually the zine spoke as a publication that was trying to promote the Modern Muslim British Girl integrated within the Western society.

Inspiration for the development of the colour palette to use in the zine:






The profiles of each girl was designed in a consistent way and then the content to follow was made personal to each of them. 

The images show the development with the front cover design and also the way in which the quotes were added within the zine. The repetitive wording was a design feature that Kristina and I became fond of, so wanted to incorporate it in other ares within the zine. This was achieved by having a quote in each section that was talking about one very important topic in relation to the whole concept. That one word from the quote was singled out and made an obvious focus. 











The physical copies are currently being printed, but this is the final design:
FRONT COVER

MAIN BODY